What does a
cuddly cartoon character created by Dr. Seuss have in common with demi-demons
from the dawn of human development? Much like the recent movie adaptation of The Lorax, The Hidden Ones, by Nancy
Madore, finds its real emotional heart in flashbacks.
Beautiful cover art, too. |
The Hidden Ones tells the story of three
different women, linked by time, space, and ancient magic: Nadia, a wealthy
young philanthropist, Helene, her grandmother in Saudi Arabia , and Lilith, an
ancient djinn who yearns to return to life in the modern world. Nadia never
believed her grandmother’s stories about the djinn until she’s kidnapped by a
group of men who seem to thinks she’s possessed by one. They claim her charity
is involved in funding a planned terrorist attack. Fearing for her life, she
offers to tell the men her grandmother’s old stories, in hopes that they won’t
kill her if she has information they need. What unfolds is a nested tale of
magic, deceit, and adventure spanning thousands of years.
Helene
Trevelyan, Nadia’s grandmother, traveled to Saudi Arabia in 1948 with a pack of archaeologists searching for a Sumerian version of The Book of the Dead. This English teenager loves knowledge and
history, and Middle Eastern culture seems very foreign to her. Nevertheless,
she, her father, and his friends, press on with their goal—to find the book,
translate the incantations, and see if they can summon an ancient Sumerian
spirit.
What they
get is Lilith. The daughter of an angel and a human woman, Lilith uses her
wits, strength, and beauty to make her way in the male-dominated world of
ancient Mesopotamia . The land where she lives
is dominated by other giants like her— worshiped by man, feared by the
angels—and she’ll do anything to keep it that way, from slaughtering children
to stealing a human body to use as her host. Devoted to her sister, lover, and
nephew, she nevertheless oozes arrogance, spite, and hypocrisy. For a femme
fatale, her weaknesses are quite human. She’d probably hate to
read this, but she’s probably the most human character in the story.
As Helene
soon learns, summoning djinn can have devastating consequences. And in the
present day, Nadia and her kidnappers soon find themselves working on the same
side as they struggle to prevent a terrorist attack that could claim millions
of lives. Compared to Helene’s silent dignity and Lilith’s fierce strength,
Nadia’s character felt a bit weak to me—more of a passive narrator than an
actual participant in the action. In fact, most of the present day action takes
place off-screen. We’re only told about the terrorist plot—we don’t get to see
any of the terrorists in action. The threat they pose never seems real, only
like a device to get Nadia into the kidnappers’ hands so she can relate her
tales.
Highs:
Strong characterization. Helene and Lilith really stood out for me as complex,
well-developed characters with a lot of heart. Tension. The story really grabs
you from the start and sucks you into the mystery of the djinn. Pacing. The
story is revealed to us in parts, and each bit leaves us wanting more. Editing.
The prose is polished and clean, with no typos I could spot.
Lows: Cultural
insensitivity. One of the kidnappers is an Indian man who tosses around words
like ‘veddy’. As someone who lives with an Indian woman, I can verify that most
Indian people don’t talk like that. Philosophizing. Chapter Thirty-Four is a
philosophical rant about why scientists can’t prove their ideas about Earth’s
history any more than religious adherents can. Personally, as a Christian and a
scientist in training, I have to disagree—but from a literary standpoint, it’s just
not good form to spend pages and pages using one-sided arguments to support
your personal beliefs unless you’re writing Atlas
Shrugged.
The Hidden Ones is a polished, original
story with a lot of heart. Madore’s energy and enthusiasm for the story really
shines through. For a fantasy novel, four and a half stars. For a novel, four.
You can purchase The Hidden Ones here.